Showing posts with label conferences. Show all posts
Showing posts with label conferences. Show all posts

Thursday, October 17, 2013

The Lounge Not Taken


I've barely shaken the road dust off from the Writer's Digest conference in Los Angeles (plus workshop in Hollywood sponsored by my buds at Kleis TV) and I'm zooming around packing for this weekend's Florida Writer's Association conference in Orlando.

There are few things more boring to read than somebody's postmortem of a conference, unless it's somebody's thinly-veiled promo about getting ready to speak at a conference. The thing is, all conferences want their speakers to shamelessly, tirelessly, and relentlessly flog the conference for months in advance, using every possible orifice of social media, and afterward try to make people regretful if they didn't go, because it was so much FUN, so that hopefully they won't miss it next time.

Oh, baby. As I used to say to the able-bodied panhandlers in San Francisco, "No can do." (Eventually I was driven to say, "Get off your ass.")

As a veteran author and conference presenter, one would think there is no rope I don't know. However, even I learn things, every time. And they're never what I expect to learn.

I think my best insight from Los Angeles happened in the hotel bar.

So this is the Century Plaza, which is the kind of hotel you always hope they'll put you up in. (Thank you, WD!) (In spite of numerous pleading telegrams from my agent, the hotel is paying me nothing to write nice things about it in this popular blog.) And there's this luxurious big cocktail lounge in the lobby, smack in the middle of everything. You have to pass by it to get from the main doors to the reception desk, then pass it again to get to the correct elevator.



And the night we get in, the bar is packed and noisy. I see well-known faces I'm supposed to walk up to and greet—"Oh, hi, so good to see you again, oh yeah, my thing's at 3 tomorrow, when's yours, oh yeah, how cool, you and I are just so cool and having so much fun!"—which is actually the last thing I want to do. I skillfully avoid them and explore, and find that there's a huge part of the bar outside, beyond some glass doors. A place that's quiet, dark, and dramatic, with stone decking and columns of warming flames shooting up in the chilly night air, and servers right handy to bring you a martini and some restorative bar food.

Why isn't anybody out here, instead of cramming up indoors?

That question hovered in the back of my mind for days before the answer burst upon me: The hotel bar is a place to be seen.

If you're someone who might possibly be recognized, perfect; otherwise you're hanging out nearby people who might be recognized, and a little of that sparkle somehow floats over on you. Moreover, this is Los Angeles, nexus of see-and-be-seen culture. You need the relatively brightly lit lobby bar for maximum exposure and ego-gratification.

If that appeals to you, that's the strategy.

No? Then join me wherever it's quiet and off the beaten path.

[Photo note: The many balconies of the Century Plaza, shot by ES.]

Tell me what you think! To post your ideas / comments, all of which I read and try to respond to, click below where it says, 'No Comments,' or '2 Comments,' or whatever.
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Thursday, September 12, 2013

Unleash Your Inner Superpowers

This is the relevant stuff from the Autumn Newschat that just went out. (I send 2 or 3 per year, and your info is never shared, given, sold, or auctioned. To enlist: http://bit.ly/18VfbvN )

I was reading recently about Columbus and the egg. Sir Christopher, post-voyage, was hanging out with the Spanish nobles when one of them dissed him really bad. This dude goes, "That voyage? Discovering the Americas? Not such a big deal, man. If you hadn't done it, somebody else around here would have."

Well!

Columbus asks for an egg to be brought in. He challenges anyone to stand the egg on end. No one can. Dude, you'd need a wizard for that!

Sir Chris taps it on the table, denting the shell so it stands on end.

"What the hey?" go the nobles. "That is so baby."

"It's easy once you've seen it done," remarks Sir Christopher.

How do we know about this? Somebody wrote it down. I believe it was the servant boy who brought the egg.

Which brings us to writing! Storytelling!

Lots of people think, like the nobles gaping at the wobbly egg, that writing a book is hard, nay, impossible unless you've got superpowers.

Wrong! Join me at any of these upcoming live events and learn how to cut through the BS and write with zest, confidence, and quality. Which really means, unleash your own latent superpowers. Invest now.

Writer's Digest West, Los Angeles, September 27-29, 2013
This is a terrific conference for writers. In addition to getting to pitch your work to lots of agents, you can learn from wonderful authors and writing coaches. I'll be doing two presentations:
"How to Write a Dynamite Mystery or Thriller that Sells" (Saturday p.m.)
"Quit Your Day Job—Seriously!" (Sunday a.m.)
They gave speakers a special discount code for their friends (I believe it's 50 bucks off) (and you are my friend): WDCWSPKR

Writing is Easy and Fun, Los Angeles, October 5 and 6, 2013
Workshop in two Los Angeles locations, October 5 (West Hollywood) and October 6 (Santa Monica). Sponsored by my wonderful friends at Kleis TV. Brisk, fun, and enlightening—at a bargain price. I guarantee it.

Florida Writer's Association Conference, Lake Mary (Orlando), Fla., October 18-20, 2013
In addition to meeting wonderful writers, you'll have better access to faculty here than at mob-scene conferences. I'll be on hand for:
"How to Write a Dynamite Mystery or Thriller that Sells" as well as individual mentoring.

Also, hey, at last! On Location: Rita Farmer Mystery #3 is available in a clean, readable version on Amazon Kindle. Grab a sweater and get cozy while Rita, George, Daniel, and Petey plunge into the rain-lashed forests of Washington's Olympic Peninsula in search of missing loved ones, truth, and a sharp chainsaw.



And yes, thanks to you (!), You've Got a Book in You is doing well. http://amzn.to/18LUTYy



According to the staff at Writer's Digest Books, sales have been "very impressive". (Thank you again.) More important, I keep hearing from readers who are using the book as one uses a jackhammer to destroy hard, unwanted concrete, revealing the quality, fertile soil beneath. Joyful growth awaits you!

Writer's Digest magazine will be featuring these upcoming articles from me:
"Transform You Novel into a Symphony" (November / December 2013)
"Seven First-Novel Gaffes to Avoid" (January 2014)
Subscribe now: http://amzn.to/18EsIIe

Zestful Writing: The Blog, is gaining traction, exploring such questions as:
What does a relaxed jaw have to do with great writing?
Accomplishment or contribution? Who cares?
How can an accordion revive the human spirit? and more.

Also, did a guest blog gig for WD: "Tapping Your Inner Villain":

Keep your eggs dry and that autumn wind at your back.

Tell me what you think! To post your ideas / comments, all of which I read and try to respond to, click below where it says, 'No Comments,' or '2 Comments,' or whatever.

If you'd like to receive this blog automatically as an email, look to the right, above my bio, and subscribe there. Thanks for looking in.

Thursday, August 22, 2013

How to Remember Better

I try to tell this story before every talk I give, but if there's a time crunch I leave it out. I should probably never leave it out, since it's one of the most important lessons on remembering I ever learned:

Years ago I had the opportunity to attend classes for a day at Harvard Law School. A friend of mine was a student there, and she invited me for a visit. So we're at the morning lecture in this huge amphitheater, we're sitting at these long, curved wooden desks set in tiers, exactly like you've seen in the movies. Nobody had a laptop or a tablet because laptops hadn't been invented yet, let alone digital tablets.

The professor is talking rapidly, giving information, legal theory, opinions, all this data. And sometimes she's calling on students, and they're answering, and all this good perspective is happening on the data, and I realize that the students are just sitting there.

I opened my notebook and wrote, "Why isn't anybody taking notes?" and slid it over to my friend. She wrote back, "You listen." Underlined.

And it was like, donngg. Epiphany.

I remembered back to my first job as a newspaper reporter. Sometimes a source would talk so fast you couldn't write it all down, even in the rudimentary shorthand most of us used. Since exact quotes were important, especially if the person was a public official, I'd shift from writing mode to



listening mode. (The picture is supposed to suggest 'listening' because of the headphones. Best I can do right now.) I remember feeling my attention sharpening, as my brain focused on absorption. Then I'd race off as soon as the interview was over and write down whatever relevant words might have escaped my pen.

Sitting in that Harvard classroom, I realized that when you're taking notes, it's almost like you're too busy writing words to really absorb what's being said. Since then, I take far fewer notes in any listening / learning situation, and guess what? Right! I retain more. Usually I make notes afterward, and that reinforces my recall.

So, for the next class, workshop, or conference session you attend, try doing the same. Relax, listen, and write half a page of notes later—just the main highlights. Let me know how it works for you, OK?

To post your ideas / comments (all of which I read and try to respond to), click below where it says, 'No Comments,' or '2 Comments,' or whatever.

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Thursday, July 18, 2013

WILL TALK WRITING FOR MARTINIS

Aspiring authors sometimes ask me whether they should go to a writing conference.

The short answer is yes, if it's one I'm going to be speaking at.

Your remaining options in 2013 are:

·         Writer's Digest West, in Los Angeles September 27-29. All information here: http://tinyurl.com/c76lmtu.  I'll be doing two presentations, one on Saturday afternoon ('How to Write a Dynamite Mystery or Thriller that Sells'), the other Sunday morning ('Quit Your Day Job—Seriously!).

·         Florida Writer's Association, in Lake Mary, Florida (Orlando) October 18-20. All information here: http://floridawriters.net/2013_FWA_Conferences.html For this one I'll be doing 'How to Write a Dynamite Mystery or Thriller that Sells.'

At both of these conferences you'll meet and learn from other experienced professionals, be able to buy books and get them signed, and not least, you'll meet other aspiring writers.

The longer answer to "Should I go to a conference?" is this: Conferences cost time and money, and you need to be reasonably sure the conference you pick will be worth it.
 
The best way to pick a conference is read the schedule and see who the faculty is. If your writerly heart beats faster while reading a session description, pay attention. If this happens three or more times, seriously consider going to that conference.

Star appeal is a funny question. Most conferences feature one or two brand-name authors, and if a particular author is an idol of yours, it would be cool to meet that person. You'd naturally want to thank them for writing the books they do, and hey, maybe it would be possible to pick their brain on the art and business of writing, if only for a few minutes.

Trouble is, the bigger the name, the more they'll be overrun by fans (or cornered by overt opportunists), and the less chance you'll have of making contact. I remember being at a huge conference that featured a marquee author I really wanted to meet. I went to his session, and that was neat, but afterward he was so totally swarmed that I never got a chance to talk with him one on one.

So if you do meet up with that big-name author, great! But the more rewarding approach is to focus on learning new things and making friends. There is absolutely no way Facebook or Twitter can give you the sort of connection that just hanging out with somebody can. I should probably stand in the hotel bar holding a sign that says, "WILL TALK WRITING FOR MARTINIS." (I will absolutely talk writing for martinis.)
 
Moreover, most presenters try to be as available as possible during conferences, not just at the official meet-n-greets. I like to hang out after my presentation and answer questions I couldn't get to in the time allotted. If I have to vacate the room for the next speaker, I pull over somewhere nearby (ideally a corridor with a comfy chair or two!) and listen to aspiring writers and try to help them.

Apart from the presenters, there are your fellow participants. If, when you look in the mirror, you see a nice, interesting, caring person there (and I know you do), you will be amazed at how many nice, interesting, caring people you will find at a writing conference!

It's true. Writers tend to be terrific people. Smile, schmooze, and make friends. Some friendships will last a lifetime. It's happened to me.

Have you attended a writing conference? How did you approach the experience? Tell us! To post a comment, click below where it says, 'No Comments,' or '2 Comments,' or whatever.

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