Showing posts with label Florida Writers Association. Show all posts
Showing posts with label Florida Writers Association. Show all posts

Thursday, October 27, 2016

Ten-Minute Enigma

Zestful Blog Post #182

This happened on October 21 at approximately 9:25 a.m. at the Florida Writers Association conference. ‘Crystal Ballroom C’ in the Hilton hotel, Altamonte Springs. Some of you were there.

[But oh, first I gotta give a shout-out to the Royal Palm Literary Award Winners. Special congratulations to frequent Zestful blog commenter Tricia Pimental, and to my St. Augustine crit-group member Melody Dean Dimick, who won two awards! Have I overlooked any blog follower? Lemme know.]

OK, the enigma. I arrived at about 9:00 to set up for my presentation scheduled for 9:20, “How to Write Dialogue Like a Pro” and found the room already filling up. There were about 10 of those big round tables seating 8. Or maybe it was 8 tables seating 10. Anyway, over the course of the next fifteen minutes the place got packed, so much so that people were resigning themselves to standing room. Gratifying for me, but problematic for the conference, because attendees were still trying to crowd in.

At 9:20 I received a nice introduction from Nancy, one of the many unsung conference volunteers (so unsung that I can’t remember her last name), and began. After maybe five minutes, two or three hotel staff guys came in and began the process of transforming the wall between Crystal Ballroom C and the currently unused Crystal Ballroom D from a solid thing to a huge accordion-fold of heavy panels. Writers intent on improving their dialogue skills happily moved to occupy the near tables in Crystal Ballroom D. This was a bit disruptive, but one of those necessary things, and everybody was now more comfortable. As the hotel guys shoved the panels into a compartment in the wall behind me and left, I resumed talking, using slides and pictures to illustrate my brilliant points.

Five minutes later a woman stood up and called out, “Excuse me, but my purse has been stolen!” 


“Maybe folks nearby could look around?” I said, checking my watch and starting to worry about time lost. During the next few minutes people peered beneath tables and chairs, despite the upset woman saying, “It isn’t here. It isn’t here. It’s been stolen.”

No one could find it; the purse was gone.

“It would be a good idea to get hotel security involved right away,” I suggested from the dais, and the woman hurried out. I sympathized; it’s terrible to lose your purse, and although the victim was distraught, I thought she was doing a pretty good job of holding it together. I resumed talking, then in another few minutes a hotel security guy came in with the victim and started looking around, etc. I was reluctant to speculate that maybe one of the wall-moving guys had somehow grabbed the purse. One doesn’t want to automatically blame the help, and moreover, the guys had on just shirts and pants, no jackets or anything, and they hadn’t been carrying any kind of equipment bag that could have easily hidden the purse.

I kept talking in spite of the minor hubbub still going on with the security fellow. My audience nicely stuck with me and overlooked it when I lost my place a couple of times.

After another minute, someone sitting close to the dais spoke up and pointed: “I wonder if it could be in that wall!” Meaning the compartment where the partition panels had been folded away.

I thought that was a brilliant possibility, because the victim had been sitting near the partition. A couple of attendees took the initiative to open the compartment and root around in it, and lo and behold came the shout, “Here it is!” The purse had gotten somehow swept up in the partition as the guys accordioned it away. (Thank you for speaking up, RPLA winner Melody! Later I learned others had had the same thought, but hadn’t called it out yet.)

Happy ending, though I had to hotfoot it over the last parts of my presentation to try to make up for the lost time.

Afterward, the woman stopped me in the concourse and apologized, saying, “I’m the drama queen who disrupted your presentation.” Of course I told her never mind, these things happen.

In the aftermath, a few conversations got going around the assumption that the purse had been stolen, which—hey, it seemed like a reasonable conclusion. After all, I was standing there at the lectern thinking of the likeliest suspects: the hotel employees, who had come in and out so quickly. Who were they? Where were they now? And yet—and yet! A freakish, unintended event had come between the woman and her purse; no one’s fault, a perfectly reasonable explanation. Such a fantastic lesson in remaining calm and considering all possibilities in the face of calamity! Any of the great detectives—fictional and real—would have been proud!

I’m still shaking my head over it.

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Thursday, March 13, 2014

Spring 2014 Newschat


Dearest Blog Friend,

Today I sent out my Spring Newschat, and because you might not be signed up for those, I'm putting the same info here in Zestful Writing.
(Subscribe to Newschats here. They go out 2 to 4 times per year.)

One day in the late '80s, when a particular blockbuster novel was flying off store shelves, I passed an info desk at the large bookstore where I worked. I witnessed this conversation between the store manager, Tim, and the slightly hard-of-hearing employee who shelved the horror section:

Tim: "Jan, do we have any more It?"
Jan: "What?"
Tim (louder): "It!"
Jan: "What?"
Tim (still louder): "Stephen King's It!"
Jan: "Oh! Well, a lot of people think so."

To be sure, these many years later, a lot of people still do think so. Stephen King, that's a guy with a long, prolific career. (An enviable bank account, too, no doubt, though we're only supposed to care about the art…)

Stephen was so prolific because he did a lot of writing. Given that writing takes time, and that the number of hours in a day is finite at 24, it recently occurred to me that Stephen must have said 'No' to lots of stuff that wasn't writing.

And I thought, yeah, man, I gotta say no to more stuff that isn't writing, given that I want to be remembered as an author.



Let this orange pen inspire us all to write and read more! The photo was sent to me by Lidy W., who follows my blog. (www.esimsauthor.blogspot.com) Last week I wrote about some of my favorite writing tools, and she sent this shot of her favorite pen. Love the color.

Now that the main promo push for last year's book, You've Got a Book in You: A Stress-Free Guide to Writing the Book of Your Dreams, is done, I'm continuing work on the next Lillian Byrd novel, Left Field. Given that I really want to finish it and get on to more new writing, I've been saying no to many requests for appearances this year. However, the list of appearances I have said yes to is below.

The most significant opportunity to work with me in person will be the Lambda Literary Foundation's Emerging LGBT Voices Writers Retreat in Los Angeles. Applications are open through April 1. I'll be on the faculty, and my specialty will be genre fiction with emphasis on mysteries and thrillers. We'll have a whole week together in August, doing intensive seminars, small group work, and individual coaching. We'll get in deep on structure, suspense & more. If you write, this is a great chance to make a commitment to your craft.

Watch for an article on writing humor from me in the May/June issue of Writer's Digest magazine; I'll have one on suspense later this year as well.

I should note that You've Got a Book in You is resonating with many writers, and I'm so happy when I hear from them! If you read it, let me know what you think of it.

All dates are in 2014:

Sunday, April 13, 4 p.m., United Methodist Church of Sun City Center, Florida
South Shore Symphony Orchestra concert featuring the works of Aaron Copland. I'll be playing timpani.
www.thessso.org (Website's not quite up to date at the moment.)

Wednesday, April 16, 6 p.m. Nokomis, Florida
Nokomis Volunteer Fire Department, corner of Pavonia and US41
Nokomis, Florida. I'll be speaking and doing Q & A.
For information, email George Mindling at myakka@embarqmail.com, or Ed Ellis at edellis20@gmail.com. Please include FWA Sarasota in the subject line.

April 27, April 29, March 4
Tampa Bay Symphony concerts featuring Dvorak's "Carnival Overture", Beethoven's Piano Concerto #3, de Falla's "Three-Cornered Hat" suites. I'll be playing percussion.

July 9-13, Portland, Oregon
Red Lion Hotel On The River - Jantzen Beach
The 2014 GCLS Conference (Golden Crown Literary Society)
I'll be attending and possibly presenting a workshop.

August 3-10, Los Angeles, California on the campus of the American Jewish University (AJU).
Elizabeth Sims, Faculty - Genre Fiction (emphasis on mysteries and thrillers)

Saturday, September 6, 10 a.m., Tampa Florida
New Tampa Library
10001 Cross Creek Boulevard
Tampa, FL 33647
813-273-3652
I'll be speaking and doing Q & A. For information, email Cindy Campbell at abic@msn.com.

September 25-27, St. Augustine, Florida
I'll present 'How to Write a Dynamite Mystery or Thriller that SELLS' (day/time TBA)

With thanks for reading, and wishing you a fruitful, zestful Spring,

Elizabeth Sims

Tell us what you think! To post your ideas / comments, all of which I read and try to respond to, click below where it says, 'No Comments,' or '2 Comments,' or whatever.
If you'd like to receive this blog automatically as an email, look to the right, above my bio, and subscribe there. Thanks for looking in.

Thursday, January 9, 2014

5 Great Things About Being a Writer in Florida

#5:  You can write outdoors year-round. Sure, it's hot in the summer, but all you really need is a tank top and some shade. An iced beverage helps, but is not essential.


  
#4:  For various good reasons, Florida attracts vastly more than its demographic share of criminals, degenerates, and trashy imbeciles. Thus you need go no further than the radio, newspapers, and billboards to find terrific story fodder.

#3:  Florida levies no state income tax, useful for when you become a multi-millionaire from your writing.

#2:  Beta-testing your writing aloud is easy in Florida. Drive in any direction for five minutes and you will encounter an assisted-living facility. Walk in, find the rec room, and start reading. You will have an attentive audience. If you actually do get feedback, it'll be honest.

#1:  The state has wonderful groups and organizations for writers, especially the Florida Writers Association. The first time I went to the annual FWA conference I was a presenter—and a stranger. Afterward, I had new friends. Most of all, I was impressed by the we-are-all-cheerleaders-for-one-another spirit I found there.

Tomorrow and Saturday I'll be presenting at FWA's mini-conference in Bradenton, as will other experienced workshoppers from around the state. Gobs of aspiring writers will be there! If you stop by, I bet you'll make friends too.

[Photo of lonely beach by ES]

Tell me what you think! To post your ideas / comments, all of which I read and try to respond to, click below where it says, 'No Comments,' or '2 Comments,' or whatever.

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Thursday, September 12, 2013

Unleash Your Inner Superpowers

This is the relevant stuff from the Autumn Newschat that just went out. (I send 2 or 3 per year, and your info is never shared, given, sold, or auctioned. To enlist: http://bit.ly/18VfbvN )

I was reading recently about Columbus and the egg. Sir Christopher, post-voyage, was hanging out with the Spanish nobles when one of them dissed him really bad. This dude goes, "That voyage? Discovering the Americas? Not such a big deal, man. If you hadn't done it, somebody else around here would have."

Well!

Columbus asks for an egg to be brought in. He challenges anyone to stand the egg on end. No one can. Dude, you'd need a wizard for that!

Sir Chris taps it on the table, denting the shell so it stands on end.

"What the hey?" go the nobles. "That is so baby."

"It's easy once you've seen it done," remarks Sir Christopher.

How do we know about this? Somebody wrote it down. I believe it was the servant boy who brought the egg.

Which brings us to writing! Storytelling!

Lots of people think, like the nobles gaping at the wobbly egg, that writing a book is hard, nay, impossible unless you've got superpowers.

Wrong! Join me at any of these upcoming live events and learn how to cut through the BS and write with zest, confidence, and quality. Which really means, unleash your own latent superpowers. Invest now.

Writer's Digest West, Los Angeles, September 27-29, 2013
This is a terrific conference for writers. In addition to getting to pitch your work to lots of agents, you can learn from wonderful authors and writing coaches. I'll be doing two presentations:
"How to Write a Dynamite Mystery or Thriller that Sells" (Saturday p.m.)
"Quit Your Day Job—Seriously!" (Sunday a.m.)
They gave speakers a special discount code for their friends (I believe it's 50 bucks off) (and you are my friend): WDCWSPKR

Writing is Easy and Fun, Los Angeles, October 5 and 6, 2013
Workshop in two Los Angeles locations, October 5 (West Hollywood) and October 6 (Santa Monica). Sponsored by my wonderful friends at Kleis TV. Brisk, fun, and enlightening—at a bargain price. I guarantee it.

Florida Writer's Association Conference, Lake Mary (Orlando), Fla., October 18-20, 2013
In addition to meeting wonderful writers, you'll have better access to faculty here than at mob-scene conferences. I'll be on hand for:
"How to Write a Dynamite Mystery or Thriller that Sells" as well as individual mentoring.

Also, hey, at last! On Location: Rita Farmer Mystery #3 is available in a clean, readable version on Amazon Kindle. Grab a sweater and get cozy while Rita, George, Daniel, and Petey plunge into the rain-lashed forests of Washington's Olympic Peninsula in search of missing loved ones, truth, and a sharp chainsaw.



And yes, thanks to you (!), You've Got a Book in You is doing well. http://amzn.to/18LUTYy



According to the staff at Writer's Digest Books, sales have been "very impressive". (Thank you again.) More important, I keep hearing from readers who are using the book as one uses a jackhammer to destroy hard, unwanted concrete, revealing the quality, fertile soil beneath. Joyful growth awaits you!

Writer's Digest magazine will be featuring these upcoming articles from me:
"Transform You Novel into a Symphony" (November / December 2013)
"Seven First-Novel Gaffes to Avoid" (January 2014)
Subscribe now: http://amzn.to/18EsIIe

Zestful Writing: The Blog, is gaining traction, exploring such questions as:
What does a relaxed jaw have to do with great writing?
Accomplishment or contribution? Who cares?
How can an accordion revive the human spirit? and more.

Also, did a guest blog gig for WD: "Tapping Your Inner Villain":

Keep your eggs dry and that autumn wind at your back.

Tell me what you think! To post your ideas / comments, all of which I read and try to respond to, click below where it says, 'No Comments,' or '2 Comments,' or whatever.

If you'd like to receive this blog automatically as an email, look to the right, above my bio, and subscribe there. Thanks for looking in.

Thursday, July 18, 2013

WILL TALK WRITING FOR MARTINIS

Aspiring authors sometimes ask me whether they should go to a writing conference.

The short answer is yes, if it's one I'm going to be speaking at.

Your remaining options in 2013 are:

·         Writer's Digest West, in Los Angeles September 27-29. All information here: http://tinyurl.com/c76lmtu.  I'll be doing two presentations, one on Saturday afternoon ('How to Write a Dynamite Mystery or Thriller that Sells'), the other Sunday morning ('Quit Your Day Job—Seriously!).

·         Florida Writer's Association, in Lake Mary, Florida (Orlando) October 18-20. All information here: http://floridawriters.net/2013_FWA_Conferences.html For this one I'll be doing 'How to Write a Dynamite Mystery or Thriller that Sells.'

At both of these conferences you'll meet and learn from other experienced professionals, be able to buy books and get them signed, and not least, you'll meet other aspiring writers.

The longer answer to "Should I go to a conference?" is this: Conferences cost time and money, and you need to be reasonably sure the conference you pick will be worth it.
 
The best way to pick a conference is read the schedule and see who the faculty is. If your writerly heart beats faster while reading a session description, pay attention. If this happens three or more times, seriously consider going to that conference.

Star appeal is a funny question. Most conferences feature one or two brand-name authors, and if a particular author is an idol of yours, it would be cool to meet that person. You'd naturally want to thank them for writing the books they do, and hey, maybe it would be possible to pick their brain on the art and business of writing, if only for a few minutes.

Trouble is, the bigger the name, the more they'll be overrun by fans (or cornered by overt opportunists), and the less chance you'll have of making contact. I remember being at a huge conference that featured a marquee author I really wanted to meet. I went to his session, and that was neat, but afterward he was so totally swarmed that I never got a chance to talk with him one on one.

So if you do meet up with that big-name author, great! But the more rewarding approach is to focus on learning new things and making friends. There is absolutely no way Facebook or Twitter can give you the sort of connection that just hanging out with somebody can. I should probably stand in the hotel bar holding a sign that says, "WILL TALK WRITING FOR MARTINIS." (I will absolutely talk writing for martinis.)
 
Moreover, most presenters try to be as available as possible during conferences, not just at the official meet-n-greets. I like to hang out after my presentation and answer questions I couldn't get to in the time allotted. If I have to vacate the room for the next speaker, I pull over somewhere nearby (ideally a corridor with a comfy chair or two!) and listen to aspiring writers and try to help them.

Apart from the presenters, there are your fellow participants. If, when you look in the mirror, you see a nice, interesting, caring person there (and I know you do), you will be amazed at how many nice, interesting, caring people you will find at a writing conference!

It's true. Writers tend to be terrific people. Smile, schmooze, and make friends. Some friendships will last a lifetime. It's happened to me.

Have you attended a writing conference? How did you approach the experience? Tell us! To post a comment, click below where it says, 'No Comments,' or '2 Comments,' or whatever.

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